SCBWI Malaysia: Supporting Malaysian Children's Book Writers and Illustrators

By DAPHNE LEE

From Tots to Teens, StarMag

I'M taking a break from recommending Christmas gifts to write a little about the Society of Children's Writers and Illustrators (SCBWI) Malaysia.

Founded in 1971 by a group of Los Angeles-based children's writers, the SCBWI now has regional chapters in other parts of the United States, as well as international chapters in countries like Belgium, Britain, Canada, France, Germany, Hong Kong, India, Israel, Monolia, the Netherlands, Russia Spain and Taiwan. This year, the Malaysian chapter was registered and on Nov 20, it held its first conference, at the LimKokWing University of Creative Technology.

The president of the Malaysian chapter is Linda Tan Lingard who is an avid reader and collector of children's books. Like many Malaysians with a passion for children's literature, Lingard is aware of the dearth of quality Malaysian children's lit. She ventured into publishing to address this dearth and, to date, her company, Oyez!Books, has published over a dozen titles by Malaysian and expat writers and illustrators.

Lingard decided to start the Malaysian chapter of the SCBWI because she felt that Malaysian authors and illustrators need support and would benefit the most from being part of an international and well-established organisation.

It is hoped that the SCBWI Malaysia will provide Malaysian children's book writers and illustrators with professional advice and information, as well as a platform for networking. The society hopes to hold regular conferences and organise talks and workshops for its members. The conference last week featured an exhibition of illustrations from Malaysian picture books; a talk by artist, illustrator and writer Yusof Gajah (on becoming a children's book writer and illustrator); and two panel discussions.

I moderated one of the discussions (about the importance of creating Malaysian children's literature for Malaysian children), while the other (on the use of illustrations in Malaysian children’s literature) was moderated by picture book illustrator Sarah Joan Mohktar. Panelists included graphic novelist Chin Yew; Linda Tan Lingard, providing the publisher's perspective; and Sireh Anuar, cartoonist and lecturer at University Multimedia.

The illustrations shown at the exhibition showed that Malaysia boasts illustrators of great promise. Artwork on display included award-winning pieces from [right] Yusof Gajah's Gajah Sejati (Dewan Bahasa dan Pustaka); Steven She's minimalist line drawings from Kindness from a Great Ape (Future Ace Publications), Emila Yusof's beautiful watercolours from Sedna the Eskimo Girl, a story in the Oyez!Books's collection Wonderful Folktales from Around the World; Chin Yew's acryllics from the graphic novel The Boy Who Loved Clouds [below left]; and Mie Mambo's comic art from his soon to be published Tapir series (Kaki Komik).

I am excited about the SCBWI as I think it's hightime we had a society that encourages, supports and nurtures those who wish to write and illustrate children's books, as well as all those involved in one way or other (directly and indirectly) in the production, promotion and distribution of Malaysian children's literature.To join the society please email lindalingard@yusofgajahlingard.com.

ART: Elephant man
2009/11/18

SUZANNA PILLAY

Artist Yusof Gajah draws inspiration from these gentle animals for his works. SUZANNA PILLAY writes.

TO most people, the humble elephant is just another creature that calls the jungle home. But for Malaysian artist Yusof Gajah, the animal has come to represent much more.

Apart from being a versatile muse for Yusof’s art, it is now synonymous with the artist as a brand which makes his artwork distinctive.

“In this era, branding plays such an important part in marketing and selling a product. The same goes for art. Everyone can paint but to be known as an artist takes time.

“If you have a huge capital, you can spend a lot of money making a name for yourself through branding, but for most artists, this is very difficult. I guess I was lucky that my passion for drawing elephants earned me the nickname of Yusof Gajah, and the name stuck.”

He believes his work conveys the message that sometimes you don’t have to look for complicated subjects to paint, as he is able to reinvent and showcase his favourite pachyderm in different styles of painting all the time.

His work is loved in Scandinavia, England, Japan, Indonesia and Germany and looks set to win over new fans worldwide.

At the recent Frankfurt International Book Fair this year, two of his latest books Elephabet and Mother & Child were a big hit with visitors there.

“I take the elephant as the main focus in my art and I can do anything with it. You just need a creative mind and skills,” said Yusof.

His fascination with elephants stems from the fact that these majestic creatures play a very important role in many societies and cultures around the world.

Apart from representing deities in some religions, they are used as a means of transportation and weaponry.

They are also easy creatures for people to recognise and relate to because only two species remain in the world — the African and Asian elephants. Yusof paints both in his work.

He recently launched both books together with his solo exhibition Yusof Gajah@Aliyaa.

The exhibition will be on until Nov 29 at the Aliyaa Island Restaurant and Bar in Lorong Dungun, Damansara Heights. Incidently aliyaa is Singhalese for elephant.

“It seemed like a fitting place to hold my exhibition considering it was in keeping with my elephant theme.”

“The books are the first two printed for adults and are a series of sketches and water colours which I did while travelling around the world. They are like a journal to me. I think it’s time artists in this country have more of their work printed in books,” he said.

Mother & Child is a selection from a series of water colours celebrating motherhood and the family.
Meanwhile, Elephabet is a book using elephant drawings to illustrate the 26 letters of the alphabet and is an ABC of inspirational messages on life as seen by Yusof. It has been received well both here and at the Frankfurt book fair.

Elephabet flash cards are also available for children and Yusof is also in the process of completing EleDoodles for them too.

Images from the SCBWI Malaysia Conference 20 November 2009 at Lim Kok Wing University of Creative Technology, Cyberjaya. Top to Bottom:

1. Yusof Gajah's colourful Elephabet form part of the Illustrators Exhibition
2. Linda Tan Lingard, President of SCBWI Malaysia presenting a token of appreciation to Yusof Gajah. Looking on is Dato' Dr Yeoh, Vice-President of Lim Kok Wing University of Creative Technology (LUCT). Sarah Joan Mokhtar, Vice-President of SCBWI Malaysia is the MC.
3. The audience and front row: Mrs Zakiah (Mrs Yusof Gajah), Yusof Gajah, Dato' Dr Yeoh and Linda Tan Lingard
4. Yusof Gajah and well-known APO? Cartoonist and MMU Lecturer, Sireh aka Anuar Hassan
5. Panel discussion moderated by Sarah Joan Mokhtar. Panelists from Left to Right: Sireh, Yusof Gajah and Leowania Leong, Editor.
6. Sireh talking animatedly during the panel discussion
7. Part of the audience

 A senior Malaysian artist produces two beautiful and inspiring picture books.

AT first glance, you would think artist Yusof Gajah’s latest projects, two picture books entitled Elephabet and Mother & Child, are meant for children. They are filled with his signature elephant drawings, whimsical and inspiring. The colours are vibrant and jump out at you.

Upon closer inspection, however, you realise that both books are also filled with nuggets of information that provide intriguing and sometimes cryptic glimpses of Yusof’s thoughts.

Known for his penchant for all things elephant (he even adopted Gajah, which is elephant in Malay, as part of his moniker), Yusof is best known for his Naive style paintings.

Yusof, whose real name is Mohd Yusof Ismail, developed a passion for pachyderms after one of his works featured in an exhibition with the famed Anak Alam artist collective in the mid-1970s prompted the show’s catalogue writer, Johan Jaafar, to eloquently describe the artist as having “beberapa ekor gajah menjerit dalam otaknya ... (a few elephants shouting in his head)”.

In an interview with The Star in 1998, the Negri Sembilan-born artist cheekily confessed to seeing elephants everywhere – give him a leaf and he will read an elephant in it, he said!

As for his style, its roots lie in several decades spent exploring Naive art. Also known as Naif art, this style refers to the work of artists who reject conventional representation or expression of real objects. Brilliant, saturated colour; chaotic detail; and an absence of perspective are hallmarks of this form.

The style’s two-dimensionality lends itself well to children’s picture book illustrations, an area in which Yusof has excelled over the years; he has won several prestigious awards including the 1997 Grand Prix award at the UN-organised Noma Concours for Children’s Picture Book Illustrations.

While children would certainly love the illustrations in these two new books, their words would be better appreciated by adults.

In Elephabets, Yusof fashions the letters of the alphabet out of (what else?) elephants. While the drawing takes centre stage, it is the musings that come with each letter that beg a second look. On the page for the letter D, for example, he talks about a dream he had about an elephant making a path in the jungle, and alludes to his desire to follow his own direction in life.

The letter D talks about the author striving to follow his own direction in life.

In Mother & Child, Yusof explores the relationship between parent and child, again through his drawings and various inspirational quotes. And again, the drawings are outstanding, and would not look out of place framed on a wall.

“These are my first adult books,” says Yusof, 55. He had previously published children’s books under Dewan Bahasa dan Pustaka, most famously, Tiga Ekor Gajah.

“I wanted them to be fun, humorous and witty,” says Yusof of this latest effort.

He has also produced a set of flash cards for children, so young and old alike get to enjoy the illustrations.

For inspiration, he draws on his childhood, which he calls “wonderful”. “I enjoyed every moment of it,” he says. “Children are honest, happy, fun, curious and see the world differently from adults.”
Yusof strives to capture that innocence in his books, giving his readers fantastical renditions of the humble elephant, which run the gamut of Byzantine-inspired to Picasso-like.

“The books are inspired by elephants and children,” he says. “Also by my relationship with God, and humans and nature.”

Though these two books are meant for adults, Yusof is working on an Elephabet activity book for children. He is also working with talented children in visual arts.

> ‘Elephabet’ and ‘Mother & Child’ retail for RM40 each, and the accompanying flash cards are RM10 each. They are available at all Borders bookstore outlets and, from next month onwards, at Kinokuniya Bookstores at Suria KLCC.

SCBWI Malaysia is a not-for-profit organization set up to develop local writers and illustrators and to bring together writers, illustrators, publishers, booksellers, educators and others for positive and mutually beneficial communications and interactions.

With the kind sponsorship of Tan Sri Lim Kok Wing, SCBWI Malaysia is pleased to invite you to participate in a one-day conference as follows:

Date : Fri, 20 November 2009
Time : 10.30am-5.30pm
Venue: Lim Kok Wing University of Creative Technology (LUCT), Cyberjaya

Official launch by Tan Sri Lim Kok Wing

In conjunction with this conference, we will be having an illustrators’ exhibition, book sales and a series of talks and panel discussions.

Illustrators’ Exhibition 
The Illustrators’ Exhibition will be held prominently at the busy and spacious plaza at the entrance of  LUCT. Published illustrators may submit up to five pieces of artwork/print (please do not submit original artwork). Max artwork size is A3 (420x297mm). Either the Publisher or the illustrator may submit artwork for the exhibition. Prints will not be returned. Deadline for submission: 17 Nov 2009

Book Exhibition and Sales
Publishers and booksellers may also take this opportunity to showcase and sell their books on that day only. Books should be children, young adults or design books. Booths will be at the plaza of LUCT. Deadline: 12 Nov 2009

Talks and Panel Discussions
From 2.00pm onwards, there will be a series of interesting talks and panel discussions on the relevant topics including the use of illustrations in Malaysian children’s literature; addressing multiculturalism issues in children’s literature; preparing children’s picture books – the experience of an award-winning children’s book author and illustrator; and others. Entrance is free.

For more information contact: lindalingard@yahoo.com
www.scbwi.org

Mama Zakiah aka Mama Gajah with Prof Salmah of UKM and publisher Linda Tan

Peter Duke aka Peter Worthington, author of children and young adult books

"I am very pleased to be the publisher of Yusof Gajah's lovely books..." says Linda. Right: His Excellency Arild Brasstad, Ambassador of Norway and Yusof Gajah.

"Wow! I love this!" says Abby, owner of Aliyaa Restaurant about his gift from Yusof Gajah.

by Badrolhisham Mohamad Tahir

Yusof ‘Gajah’ is known as Malaysia’s foremost naïve artist and children’s picture book author and illustrator but is hardly known as an art businessman who paints and sells his artwork by himself. By doing that, he is determined to cast out the myth of an artist living in a garret isolated from society. He believes that an artist should live successfully by selling his art work: ‘I don’t want to be a great artist but live in poverty ’. Artists have to struggle in their careers and are subject to the same market forces that affect lawyers and plumbers. With that in mind, Yusof dreams of having his own museum to develop and compile documentation on his legacy. Yusof will not waver from his dream until the task is complete. Therefore, he is painting and extensively developing his iconic elephant character, to pave the way to turn his dream into reality.

Yusof’s elephants can be considered as the things that people usually paint, like the human body, a dog, bottles and so on. For him, the elephant is the ‘gentle giant’ from which, if we want to relate to the remarks made by Grace Chin from the Edge upon his character as ‘gentle and calm’, we can understand why he sees himself in the elephant. ‘My personality is in the elephant’. Now we can see that his painting is not about the elephant per se; as I  see it, it is more about himself. Simply put, he wants us to see him through the elephant. With the elephant, he invites us into his world that is filled with dreams, dreams of being an artist and a businessman. In other words, he uses the elephant to give visual effect to the imagination that drives him to dream and to follow his goal: ‘I have studios and later I opened two galleries’. Who knows – he may be close to having his own museum.

The paintings exhibited are sophisticated and masterfully executed. But for Yusof, to depict elephants naturalistically is not enough. It is not enough for him merely to ‘paint what he sees’. He uses his paintings to evoke non-visual content, his life experience, in a visual way. Through such techniques as successive distortion, inclusion and exclusion of form, and the simplification and abstraction of shapes; he builds up components to form the elephant so that it signifies and simultaneously depicts aspects of his experiences.  We may thus regard his contribution to this dialogue an aesthetic, rather than a naturalistic depiction. By engaging in such a  strategy,  Yusof is able to to engage us in non-mundane communicative modes rather than naturalistic ones.

To end, we can say that his paintings are not limited to the production of perceptual surrogates or inferential aides memoire but that each painting itself is an essential site, in which the ‘gajah’ personality can constitutively guide and fulfill his dream of becoming a successful art businessman: ‘I want to keep on dreaming and encourage people to dream … to imagine … ‘.

 ELEPHANT MAN

 Renowned artist and author Yusof Gajah, otherwise known as Mohd Yusof Ismail, roams the plains of human imagination to produce elephant-inspired artwork on canvas. He talks to Grace Chin ( THE EDGE  the week of September 28, 2009) about the important of naivety and dreaming and living the life of his iconic Gajah characters.

There are elephants in the living room, on the coffee table, in the kitchen. With their beady, curious eyes and boldly coloured lithe trunks, they tease and taunt, inviting viewers to join their universe…which is exactly what artist and author Mohd Yusof Ismail, better known as Yusof Gajah, has done.

To the artist, fired by passion and childhood ambition, each canvas becomes a dimension of his imagination and allows him to enter into the realm of daydreams. His characters are acrobatic performers or graceful dancers, and yet are awkwardly contorted, startling with their beady-eyed innocence.

The elephant man’s artwork brings to mind the animated cartoon characters of the 1980s – the adventurous spirit of the Rupert Bear and Teddy Ruxpin, the eagerness of Aloysius Snufflleupagus from Sesame Street and the watercolours of Care Bears. However, your interpretation of the paintings may vary, Yusof points out, like how a gardener, an architect or a businessman would view a piece of land differently.

But as a vivid imagination is universal, Yusof’s elephants can be found in many corners of the world. In fact, the much-talked about bright colours and lively characters of his works has found avid fans in Scandinavian tourists. Meanwhile, his black-and-white variations are all the rage among German and Indonesian collectors.

Yusof has held exhibitions in Indonesia, Thailand, Japan, the former Czechoslovakia, Norway and Sweden and his works have found a home in the private collection of the Yang di-Pertuan Agong Sultan Mizan Zainal Abidin, The National Art Gallery, Galeri Petronas and many multinational corporations.

I meet Yusof at his studio, a converted terraced house nestled in the serene neighborhood of Taman Greenwood in Batu Caves, Selangor. He greets me warmly one fine morning despite the fact that he is recovering from a bout of gout.

We have our chat in the living area. His manager and wife Zakiah Mohd Isa sits in on the interview but leaves after a while to do something else. Still, as Yusof opens up about his art, one cannot help but feel that the pachyderms on the walls are listening in on our conversation.

Like his creations, Yusof is a diminutive figure, but his gentleness and calmness remind one of the majestic animals. The 55-year-old received his art training in Indonesia in the 1970s and has found fame on Malaysian soil and overseas for his artwork and illustrated publications for children.

Yusof says his journey into the world of pachyderms started when he was seven. He remembers his childhood in Negri Sembilan and Singapore in well-loved volumes of sketches. “I was quite naughty and used to wander around…I loved nature and biology. My parents had to replace many exercise books that I filled with my drawings,” he laughs.

As a child, he was intimidated by an elephant on whose shoulders he rode. ”I was small then…they were gigantic animals to me,” he chuckles at the memory. “Then, when I visited the temples of Borobudur, Indonesia, I found many elephant icons and sculptures. That is when I started sketching them…But that didn’t turn me into elephant man.”

As the story goes, the Gajah moniker became about after he became part of the multi-disciplinary art collective Anak Alam, which had two Yusofs. To distinguish himself from his fellow artist Yusof Osman, he adopted the name Yusof Gajah, which then appeared in an exhibition catalogue.

Over time, elephants became the central subject of his work and a part of his identity as an artist. Put simply, Yusof became Yusof Gajah on canvas and the illustrated world of his anthropomorphic elephants is Yusof’s universe.

“My personality is in the elephant,” Yusof says, gesturing towards the walls of his studio. “It’s like a bowl of rice. You can make fried rice or eat it plain. I have wondered if I would ever run out of ideas of what an elephant could do, but no…my elephants can do more…”

...

“I had a happy childhood,” says the artist who grew up in Johol, Negri Sembilan. “I dreamt of being an artist and it came true. Now, I want to keep on dreaming and encourage people to dream…to imagine…”

Being an artist was unheard of in the 1960s, when Yusof was just starting out. “ Getting a white-collar job was more important than being an artist then,” he recalls. “Singapore was good for me. I visited art galleries and libraries on the island and filled my sketchbooks with newspaper cuttings of art-related news and articles from the weekend edition of New Straits Times.”

People are afraid to dream, he continues, because being ambitious and wanting to be a high achiever is discouraged by a society that thrives on mediocrity. But dreamers should be stubborn – that is what got him to where he is today.

A dreamer he may be, but Yusof also appears to be firmly grounded in reality. His mentor, the late Pak Widayat, left him a nugget of advice about being an artist. “What is a painting, I asked him, He said, ‘Paintings should be on a wall.’ This is a famous artist, who did not (answer by telling me about) the philosophy of art.”

Although it was never explained to him, Yusof says he later realized what Pak Widayat meant: there will always be a market for art.

“I cannot lie and pretend that art is for art’s sake. It is my main source of income. I paint with my soul and my heart, but I have to be a businessman when it comes to selling my paintings.”

Through the years, a sense of idealism has remained consistent in his work but Yusof has matured in his approach to art. He started looking at the branding aspect and identity of his work in his twenties and when he turned 40, focused on making art means of providing for his family. A decade on, he worked on acquiring an art studio. Now, Yusof is looking into the future and planning to build a dedicated museum to develop and compile documentation on his legacy.

“I have to keep expanding. I can’t just stick to expressionism, minimalism or abstract art my whole life. Other artists stick to one style. The elephant is the main icon for me and I can play around with it.”

The multiplicity and versatility of the icon ensures that he appeals to a wider market, he says. A landscape painting can be in a living room, a smaller framed piece could possibly find itself in a child’s room. “If you stick to just one style, [you may not find yourself in a child’s room…]”

The soft-spoken, bespectacled Yusof has taken his art into a new area – children’s books. To date, he has published more than a dozen illustrated books for children and has been recognized locally and internationally for his talent. His biggest achievement was being awarded the top prize in the Noma Concours Children’s Picture Book Art Competition in Tokyo in 1996. The competition was organized by Asia-Pacific Cultural Centre for UNESCO.

“It’s fun to write for children. To write a good book for children, you have to be a good storyteller. You have to love children and play with children,” Yusof says. It is a challenging task and a continuous learning process even for his veteran.

He was clueless when he first started, Yusof confesses, thinking that it could not be much different to paint and illustrate a children’s book.

It is easy to think an artist can just draw inspiration from his childhood, but the truth is, much research is needed to produce a simple illustration. It sometimes requires coming out of the comfort zone, as hard as it may seem.

For example, Yusof traded his paintbrush for flippers and scuba gear to go diving in the deep blue sea, all in the name of producing a 22-page series of underwater illustrations. Another title that he is working on has been revised three times over the last five years, based on a character he loosely refers to as the Garbage Monster.   

“I can’t get into the mood or feeling of this Garbage Monster, I should really go ( outdoor) and follow the garbage collectors when they work….Just researching on the internet is not enough” he chuckles.

There would be continuity if Yusof could capture the attention of children as they are more likely to recall his work when they grow up and have their own children. Clearly, the market for elephant-inspired artwork can only expand.

Yusof has a soft spot for the young ones and has conducted many storytelling sessions and art workshop for schools, artists and young art enthusiasts. Young visitors often remember him as the host of Kerengga, an art  programmed  which run on Radio Television Malaysia in the 1980s. Apparently, elephants and children share an amazing capacity to remember things.

Exploring art with children is a task Yusof takes seriously and he feels it is especially important in a child’s early education. In his work with the young, Yusof reveals that one method he uses is demonstrating how a mere scribble or doodle can transformed into apicture of an elephant.The simple exercise teaches children how to stretch imagination. Yusof says this is sorely lacking in the local education system.

Our schools do not train children to use both side of their brain. “Art is not that important to us. We don’t have a lot of children who know how to pain. There’s a lot to learn from elephants,” Yusof  says, reflecting on his work with children , “ Elephants have human characteristics and we sometimes have to draw on elephants and animals for creativity, especially for the children.”

The world of the elephants in his paintings is also closely linked to their natural habitat- the jungle. Yusof dream of sharing a canvas with elephants wielding paintbrushes and donating the proceeds from these painting to wildlife sanctuaries or zoos.

Through his art, Yusof also aims to raise awareness of the alarming degradation of the natural habitat of elephants, an issue that is close to his heart. While he visit the zoo frequently to observe the anatomy and form of the shy and gentle creature, Yusof can only learn about their behavior when he visits the Kuala Gandah Elephant Conservation Centre in Pahang.

“Elephant s have a unique place in our society.” he says, pointing out that most cultures have their own fascination with animal, whether in art or in religion. “. “ There are only two remaining species of elephant today – the Asian and the African elephants. We are destroying the forests, their feeding ground.

Next month, in conjunction with World Children’s day, Yusof will launch two new publication : MOTHER AND CHILD, a compilation of illustrations and sketches accompanied by Yusof’s sketches and selected quotes by famous people, and ELEPHABET, his illustrated alphabet guide to life.

Most of the sketches in MOTHER AND CHILD were done when he was traveling, Yusof says, and compiled by his  daughter and artist Jaja Yusof. The illustrations come from a privately commissioned watercolour series of the same title. Reproduction  of the original series have been made in the form postcards, but this is the first time a selection of those paintings is featured in prints.

“This is dedicated to all mothers, but the ideas is really about celebrating the relationship between mother and child, and about nurturing … a human like characteristic that elephants also have…”

ELEPHABET, a portmanteau of the word “elephant” and “alphabet” , is an elementary revision of the alphabet for grown-up and children. Even though we all know the alphabet  by heart, Yusof wants his readers to return to the basics of life. His philosophy  of life is summed up in the book, which features elephant perched  and morphed to form the 24 letters of the Latin alphabet. The enchanting paintings also reveal hidden symbols upon closer observation …It is also about reading between the lines, Yusof comments, with eyes dancing merrily.

ELEPHABET and MOTHER & CHILD will be available at all major bookstores in October  or contact (6012 322 0937 or lindalingard@oyezbooks.com for more information.