SCBWI Malaysia: Supporting Malaysian Children's Book Writers and Illustrators

By DAPHNE LEE

From Tots to Teens, StarMag

I'M taking a break from recommending Christmas gifts to write a little about the Society of Children's Writers and Illustrators (SCBWI) Malaysia.

Founded in 1971 by a group of Los Angeles-based children's writers, the SCBWI now has regional chapters in other parts of the United States, as well as international chapters in countries like Belgium, Britain, Canada, France, Germany, Hong Kong, India, Israel, Monolia, the Netherlands, Russia Spain and Taiwan. This year, the Malaysian chapter was registered and on Nov 20, it held its first conference, at the LimKokWing University of Creative Technology.

The president of the Malaysian chapter is Linda Tan Lingard who is an avid reader and collector of children's books. Like many Malaysians with a passion for children's literature, Lingard is aware of the dearth of quality Malaysian children's lit. She ventured into publishing to address this dearth and, to date, her company, Oyez!Books, has published over a dozen titles by Malaysian and expat writers and illustrators.

Lingard decided to start the Malaysian chapter of the SCBWI because she felt that Malaysian authors and illustrators need support and would benefit the most from being part of an international and well-established organisation.

It is hoped that the SCBWI Malaysia will provide Malaysian children's book writers and illustrators with professional advice and information, as well as a platform for networking. The society hopes to hold regular conferences and organise talks and workshops for its members. The conference last week featured an exhibition of illustrations from Malaysian picture books; a talk by artist, illustrator and writer Yusof Gajah (on becoming a children's book writer and illustrator); and two panel discussions.

I moderated one of the discussions (about the importance of creating Malaysian children's literature for Malaysian children), while the other (on the use of illustrations in Malaysian children’s literature) was moderated by picture book illustrator Sarah Joan Mohktar. Panelists included graphic novelist Chin Yew; Linda Tan Lingard, providing the publisher's perspective; and Sireh Anuar, cartoonist and lecturer at University Multimedia.

The illustrations shown at the exhibition showed that Malaysia boasts illustrators of great promise. Artwork on display included award-winning pieces from [right] Yusof Gajah's Gajah Sejati (Dewan Bahasa dan Pustaka); Steven She's minimalist line drawings from Kindness from a Great Ape (Future Ace Publications), Emila Yusof's beautiful watercolours from Sedna the Eskimo Girl, a story in the Oyez!Books's collection Wonderful Folktales from Around the World; Chin Yew's acryllics from the graphic novel The Boy Who Loved Clouds [below left]; and Mie Mambo's comic art from his soon to be published Tapir series (Kaki Komik).

I am excited about the SCBWI as I think it's hightime we had a society that encourages, supports and nurtures those who wish to write and illustrate children's books, as well as all those involved in one way or other (directly and indirectly) in the production, promotion and distribution of Malaysian children's literature.To join the society please email lindalingard@yusofgajahlingard.com.

 A senior Malaysian artist produces two beautiful and inspiring picture books.

AT first glance, you would think artist Yusof Gajah’s latest projects, two picture books entitled Elephabet and Mother & Child, are meant for children. They are filled with his signature elephant drawings, whimsical and inspiring. The colours are vibrant and jump out at you.

Upon closer inspection, however, you realise that both books are also filled with nuggets of information that provide intriguing and sometimes cryptic glimpses of Yusof’s thoughts.

Known for his penchant for all things elephant (he even adopted Gajah, which is elephant in Malay, as part of his moniker), Yusof is best known for his Naive style paintings.

Yusof, whose real name is Mohd Yusof Ismail, developed a passion for pachyderms after one of his works featured in an exhibition with the famed Anak Alam artist collective in the mid-1970s prompted the show’s catalogue writer, Johan Jaafar, to eloquently describe the artist as having “beberapa ekor gajah menjerit dalam otaknya ... (a few elephants shouting in his head)”.

In an interview with The Star in 1998, the Negri Sembilan-born artist cheekily confessed to seeing elephants everywhere – give him a leaf and he will read an elephant in it, he said!

As for his style, its roots lie in several decades spent exploring Naive art. Also known as Naif art, this style refers to the work of artists who reject conventional representation or expression of real objects. Brilliant, saturated colour; chaotic detail; and an absence of perspective are hallmarks of this form.

The style’s two-dimensionality lends itself well to children’s picture book illustrations, an area in which Yusof has excelled over the years; he has won several prestigious awards including the 1997 Grand Prix award at the UN-organised Noma Concours for Children’s Picture Book Illustrations.

While children would certainly love the illustrations in these two new books, their words would be better appreciated by adults.

In Elephabets, Yusof fashions the letters of the alphabet out of (what else?) elephants. While the drawing takes centre stage, it is the musings that come with each letter that beg a second look. On the page for the letter D, for example, he talks about a dream he had about an elephant making a path in the jungle, and alludes to his desire to follow his own direction in life.

The letter D talks about the author striving to follow his own direction in life.

In Mother & Child, Yusof explores the relationship between parent and child, again through his drawings and various inspirational quotes. And again, the drawings are outstanding, and would not look out of place framed on a wall.

“These are my first adult books,” says Yusof, 55. He had previously published children’s books under Dewan Bahasa dan Pustaka, most famously, Tiga Ekor Gajah.

“I wanted them to be fun, humorous and witty,” says Yusof of this latest effort.

He has also produced a set of flash cards for children, so young and old alike get to enjoy the illustrations.

For inspiration, he draws on his childhood, which he calls “wonderful”. “I enjoyed every moment of it,” he says. “Children are honest, happy, fun, curious and see the world differently from adults.”
Yusof strives to capture that innocence in his books, giving his readers fantastical renditions of the humble elephant, which run the gamut of Byzantine-inspired to Picasso-like.

“The books are inspired by elephants and children,” he says. “Also by my relationship with God, and humans and nature.”

Though these two books are meant for adults, Yusof is working on an Elephabet activity book for children. He is also working with talented children in visual arts.

> ‘Elephabet’ and ‘Mother & Child’ retail for RM40 each, and the accompanying flash cards are RM10 each. They are available at all Borders bookstore outlets and, from next month onwards, at Kinokuniya Bookstores at Suria KLCC.